The one-off project
A gift song, one podcast intro, a single experiment. A credit pack covers it without a subscription you'll forget to cancel — buy, make, done.
The plans above list the numbers. This is the part that matters more: figuring out which numbers describe the way you actually work.
12,000 credits/year
billed annually
Save 33% — Limited Time Offer!
30,000 credits/year
billed annually
Save 50% — Limited Time Offer!
84,000 credits/year
billed annually
Save 56% — Limited Time Offer!
pay for what you make
The plans above list the numbers. This is the part that matters more: figuring out which numbers describe the way you actually work.
Credits are project fuel, and projects burn more than one generation: a released song typically consumes several takes of iteration, a lyric rewrite or two, and often a stem split or extension on the winner. Estimate per finished project — not per click — and the right tier usually becomes obvious.
Billing period is a commitment question, not a math question. Yearly rates reward knowing that music is part of your routine; monthly keeps the exit open while you find out. One-time credit packs suit the third pattern: bursts of work with quiet months between.

A gift song, one podcast intro, a single experiment. A credit pack covers it without a subscription you'll forget to cancel — buy, make, done.
A single or EP means deep iteration on few songs: takes, covers, extensions, a video. A mid-tier plan absorbs that concentrated burn and the commercial license does the rest.
Channels and podcasts need steady output — and if visuals ship with every track, video generation moves the budget more than the songs do. Estimate a normal month, add headroom, and look a tier higher when video is routine.

Ten minutes of honest accounting beats a month on the wrong tier in either direction.
How many songs, videos, or episodes will actually ship next month? That number, times realistic iteration, is your credit demand.
Check that the tier includes what your workflow leans on — model access, video generation, license scope — not just a credit total that looks generous.
Pick the tier for your current pace, not your ambition. The moment two consecutive months run dry is the moment to move up — with data instead of hope.
Five songs, each surviving a handful of takes plus lyric passes and one extension: concentrated usage that a starter tier will feel and a mid tier absorbs comfortably.
Intro, outro, and stingers refreshed each episode: predictable weekly burn where the deciding factor is consistency headroom, not peak capacity.
One single iterated to perfection plus a music video and a lyric video: the video half changes the budget math more than the song half — plan for it.
Monetized channels, client work, and streaming distribution have different licensing needs than private experiments. Confirm your intended use is covered before you publish, not after.
How and when credits arrive and expire shapes how you should schedule heavy months. Read the renewal terms once so nothing surprises you mid-project.
Plans sized to the exact expected usage break on the first ambitious week. A margin for retakes isn't waste — it's what makes the good take affordable.
Yes — new accounts start with free credits, enough to run real generations and judge the output quality on your own ideas before any payment decision.
Frequency decides. Making music most weeks favors a subscription's better rate; making it in occasional bursts favors packs. If you're unsure, one month on a low tier answers the question with data.
Top up with a credit pack or upgrade the tier — both take effect immediately, and no work in your library is ever lost while you decide.
Commercial licensing is tied to paid tiers, with scope varying by level. Match the license to where the music will live — a monetized channel, a client deliverable, a streaming release — before you ship it.
Count what you'll make, match the tier, and spend your attention on the music instead of the meter.
Compare the plans